Chicago harp master James Cotton works up a sweat
at Slim's in San Francisco, 1991.
Click on the image to see a larger version.
Photographs by José Luis Villegas
By John Orr Back in the late '80s, early '90s, Jose Luis Villegas, an excellent photographer who loves blues music, and I were working at the San Jose Mercury News, based at the southern end of the San Francisco Bay Area.
And, I was loving it. Hanging out at the Emerson Street Bar & Grill in Palo Alto or one of the J.J.s clubs (there were two, then three, in those days), listening to amazing people, drinking whiskey, and not having to wait too long, sometimes, before some woman would ask me to dance.
Our biggest collaboration, at the time, was a free-lance project for the Sunday magazine, West, edited by Jeffrey Klein (who has since returned to Mother Jones, which he co-founded). Very nice display, thanks to designer Sandra Eisert (who has also gone on to other things), but not enough room for all of the photographs Jose had ready for the project, and I had to trim my words to down nubbins. We wrote about, and made photographs of, some of the many wonderful blues musicians working then. Some of the great old timers, some of the great up-and-comers.
"Each time, each one makes history, makes their mark in history," B.B. King told me. "We each do it and it will never die, because it has to do with people, places and things, and as long as those are here, it'll never die."
What we are doing here is taking the images Jose had ready for that West magazine project and more, and a bunch of the words I strung together back in those days (and since), and putting them up so you can take a look.
I do not make such a claim for my writing about the blues. I just do the best I can. And ... much of this information is certainly dated. I am going through and freshening some of it as I go along, but don't expect up-to-date facts. That's not what this is about. This is about a feeling.
|
Index |