![]() |
Hollow thrills Tim Burton takes on an old scary tale and comes close to making a classic |
"Sleepy Hollow" Reviewed by Carlos deVillalvilla Whenever Tim Burton concocts a new movie, critics everywhere go into a lather coming up with new hosannas in praise of his stuff. Generally, they're right. With his latest, the paroxysms of praise have become almost scary in their effusiveness. Which is fine by me.
Johnny Depp plays Ichabod Crane, a foppish New York City constable who has been a bit of a gadfly in the NYPD of 1799. While the judges of the period are content with brute force and intimidation to solve their crimes, Crane is all for using scientific method and deductive reasoning to come to the truth. For his troubles, he is exiled to a small Dutch community in the Hudson Valley called Sleepy Hollow to solve a trio of ghoulish murders. It seems that several prominent citizens of the Hollow have lost their heads. Trouble is, their quite dead torsos are rather upsetting to those townspeople who stumble upon them.
Crane, of course, believes that the murderer is flesh and blood. The game changes when Crane personally witnesses a murder, sending his faith in science and reason spinning into doubt. Unfortunately for the movie, he resolves this rather quickly (it would have made an interesting subplot to see Crane struggling between the evidence of his senses and his own rationality) and goes on a ghoul hunt, with all the violence, gore and spookiness that goes with it. There are a lot of fairly impressive names behind the camera including Francis Ford Coppola, Larry Franco (behind many of John Carpenter's earliest and best flicks) and Kevin Yagher (one of the best make-up/special effects men in the business). While many of Burton's key personnel are in place, this seems less of a typical Tim Burton movie and more of a mainstream action/horror flick. There are a lot of missed opportunities here to bring some credible subplots into play that wouldn't burden the plot as much as the ones that writers Yagher and Andrew Kevin Walker decided to leave in.
Depp makes an interesting Crane, retaining much of the bumbling fright of Irving's Crane while giving him a heroic bent for the modern moviegoing audience to identify with. Ricci is lustrous in her ingenue role. There's some great work in "Sleepy Hollow," enough that you'll leave the theater talking about it. With a bit more of Burton and a bit less of Hollywood, this would have been a hellacious ride.
Theater or Video?
Makes a good fit onto the small screen. Rent it on a dark and stormy night. See other information about "Sleepy Hollow" at Internet Movie Data Base. |